“Our most important task is to search for an effective passageway through the wall—and two people who share a natural affinity for an art, any art, will be sure to find that passageway.” — Haruki Murakami (1) It’s a Playmobil World After All! (Animation Magazine)
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(1) Academics ignore the anniversary of 1984 because they know they’re living it out (Washington Examiner) (2) How disease, war and a remote Scottish island inspired George Orwell’s ‘1984’ (NY Post)
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Almost 1 month since my last post. I just finished Gibraltar: The Greatest Siege in British History by Roy Adkins and Lesley Adkins and now have a used copy of Rock Of Contention: A History of Gibraltar by George Hills. This second book I found at The Abbey Bookstore. My plan is to next visit […]
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What happened to the British? A quote from Gibraltar by Roy Adkins and Lesley Adkins. “It is not improbable that this is a stratagem of Admiral Barcelo’s, to harass, and fatigue us with repeated firing and alarms from the Bay, and then to give the decisive stoke; but they have Britons to encounter. The more […]
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(1) A quote from Absolutely On Music by Haruki Murakami: “In that sense, Seiji Ozawa is simultaneously an unschooled ‘child of nature’ and a fountain of deep, practical wisdom; a man who must have what he wants immediately and who can be infinitely patient; a man with bright confidence in the people around him who […]
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“Driven out of paradise by You and exiled in a distant land, I cannot return by myself unless You, O Lord, come to meet me in my wandering. My return is based on hope in Your mercy during all of my earthly life. My only hope, the only source of confidence, and only solid promise […]
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(1) One final, musically inspired quote, from Killing Commendatore by Haruki Murakami: “‘It’s an usual opera [Der Rosenkavalier]. The plot’s critical, of course, like with all operas, but with this one even if you don’t know the plot it’s easy to give yourself over to the music and be completely enveloped by that world. The […]
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(1) Dvořák Carnival, Op. 92 (YouTube) Heard this last night at David Geffen Hall at Lincoln Center. The performance on YouTube is from Royal Albert Hall in 2012. (1a) Limestone Photo Archives: Royal Albert Hall (2) A quote from Killing Commendatore by Haruki Murakami: “I was a mere caretaker, and they were kind enough to let me […]
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“The music was somehow addictive, as he had warned. An uninterrupted stream of emotion, Musical instruments in colorful profusion. It was Strauss who boasted, ‘I can describe anything in music, even a common ‘broom.’ Maybe he didn’t say ‘broom’—it could have been something else. At any rate, there was something painterly about his music.” — Haruki […]
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(1) A cool link between Nolan Bushnell and Retta Scott. The quote is from They Drew As They Pleased: The Hidden Art of Disney’s Musical Years (The 1940s – Part One) by Didier Ghez: “From early 1983 to February 1984, Retta got to animate, develop character designs, and paint backgrounds (along with Mary Blair’s husband […]
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“User anonymity and free speech would become things of the past. The moment IOI took it over, the OASIS would cease to be the open-source virtual utopia I’d grown up in. It would become a corporate run dystopia, an overpriced theme park for wealthy elitists.” – Ready Player One by Ernest Cline (1) The Long […]
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Added two designer/artists/illustrators to the ‘Ink & Paint’ roll call: (1) Rick Guidice – He was featured in Art of Atari by Tim Lapetino. His work for NASA could have been used in Spaceship Earth and/or Horizons. See also Robert McCall and Herbert Ryman. (2) Ryo Takemasa – Japanese illustrator featured in My Modern Met.
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“Because he grew up in a railroad town, Disney loved trains; his love for locomotives was so great, he had a 1/8th scale railroad built in the backyard of his home in Holmby Hills, California, in the late 1940s.” – A Historical Tour of Walt Disney World by Andrew Kiste >> Watch (Vimeo)
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(1) Museum piece: a show at the Cooper Hewitt explores design and technology (Wallpaper*) (2) Caricature: Or, Guston’s Graphic Novel by Chris Ware (The New York Review of Books)
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“When he [Rembrandt] painted The Return of the Prodigal Son, he had lived a life marked by great self-confidence, success, and fame, followed by many painful losses, disappointments, and failures. Through it all he had moved from the exterior light to the interior light, from the portrayal of external events to the portrayal of the […]
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